Peeling From Concrete Floors
Peeling from Masonry and Brick
Peeling From Hardboard Siding
Peeling From Mill-Glazed Western Red Cedar or Redwood Siding
Peeling From Asbestos Shingles
Peeling from Galvanized Metal
Cedar Stain (Tannic Acid Bleed)
Wax Bleeding on Hardboard Siding
Blistering
Lap Marks
Surfactant Leaching
Mildew
Uneven Gloss
Poor Hiding Of Colors
Peeling From Plaster Walls
Picture Framing on Drywall (a.k.a. Hatbanding)
CAUSE: Concrete floors present numerous potential adhesion problems
for coatings. Concrete is a highly alkaline material which reacts chemically
with oil or alkyd based finishes to weaken their adhesive bond. Concrete also
transmits moisture bringing soluble salts, to the surface (efflorescence). This
will gradually generate a sandy or dust-like condition at the surface. Grade
level or sub-surface floors are continually subjected to moisture penetration.
All concrete should be cast over a vapor barrier. Sub-surface concrete should
also be cast over a generous level of gravel with further means to remove water
when conditions are severe. Moisture is the primary cause for adhesion failure.
Other possible causes include hard-troweled concrete which presents a physical
barrier to adhesion by not permitting penetration of coatings. Older concrete
can become crumbly, and accumulations of grease or oil create a barrier limiting
adhesion.
SOLUTION: Remove paint by scraping and sanding. Clean floor by
scrubbing with hot water and a strong detergent solution. Avoid mild dishwashing
detergents. These contain skin softening ingredients which interfere with paint
adhesion. It may be necessary to use chemical stripper, if the above procedure
fails to remove the paint. Follow the directions carefully. Floors that have
been subjected to long term oil and grease must be aggressively scrubbed with a
grease dissolving compound, such as Benjamin Moore M83 Industrial Maintenance
Oil and Grease Emulsifier. Follow the label directions carefully. In all cases,
rinse the floor thoroughly. Allow the surface to dry for several days. The next
step, called etching, requires protective goggles, boots and rubber gloves to be
worn during the process. Mop on 10% solution of muriatic acid and water on clean
floor.
ALWAYS MIX ACID INTO THE WATER, NEVER MIX WATER INTO ACID. Allow solution
to remain on surface until bubbling ceases (10 to 15 minutes). Flush surface
with water and dry completely. When floor is properly etched, it should resemble
texture of fine sandpaper. Etching neutralizes the alkaline surface and provides
a better bond. It also helps remove salt deposits (called laitance) that can
occur on concrete surfaces. Sand off any crumbly areas of loose concrete. The
floor should now be ready to paint.
CAUSE: A common cause of peeling on surfaces composed of mortar,
brick, building block or concrete is efflorescence, where soluble salts are
present. When dissolved by water, they are carried to the surface and remain
after the water has evaporated. These salts can push paint away from the surface
and peeling results. Efflorescence occurs on brick walls of new construction. A
common building practice is to treat new brick or concrete with muriatic acid,
rinsing with water to clean away excess mortar. Rinsing removes only those salts
on or near the surface. After painting, salts remaining within the bricks will
absorb the moisture and travel to the surface, causing peeling. Peeling can also
occur when alkyd or oil paint is applied over unetched concrete. Alkyd resins
that come in contact with an alkaline surface form a soap film between the
concrete surface and the coating, called saponification. This will cause
softness and loss of adhesion of the alkyd coating.
SOLUTION: If efflorescence is evident, it must be removed before
repainting. First, remove all flaking or chalking paint from the damaged area by
wire brushing or sandblasting. If necessary, try applying a solution of 5%
muriatic acid or undiluted vinegar. Rinse with clean water. Fill all cracks with
masonry patching compound, latex concrete patch, or caulking compound. If the
surface is very porous, apply an alkali-resistant primer or block filler. Cover
with latex house paint. To prevent recurrence of efflorescence on interior
walls, the exterior walls should be sealed. NOTE: Extraneous water sources must
be removed before painting (e.g. migration at ground level, often caused by poor
drainage).
CAUSE: Hardboard siding is reconstituted natural wood. It is
fabricated by reducing natural wood to fibers, adding resins, and then pressing
the fibers together into panels. It can be either tempered or standard. Tempered
board is denser and has a higher moisture resistance. Standard hardboard should
not be used outdoors in areas where it will be directly exposed to the weather.
Peeling is often due to poor maintenance of the coated surface. It generally
originates at butt joints and drip edges. Water contact directly with bare
hardboard in these areas eventually penetrates into the board to repeatedly
permeate and expand the compressed wood fibers in the board. The swelling
process is irreversible, resulting in delamination of both the paint film and
the board.
SOLUTION: Whether supplied bare or factory primed, hardboard must be
primed. All joints or bare edges must be primed and caulked to avoid contact
with water. Coated hardboard surfaces require regular maintenance to detect
possible areas of deterioration or cracking before board failure occurs on a
large scale. Where cracking or peeling is observed, it MUST be scraped and
sanded immediately, then primed, caulked if necessary, and topcoated. All loose
paint must be removed, and the edges of the areas of good paint should be sanded
smooth.
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INDEX
PROBLEM: Peeling From Mill-Glazed Western Red Cedar or Redwood Siding
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CAUSE: Mill-glaze occurs on smooth, flat-grained western red cedar and
occasionally on redwood. Controversy exists over the exact cause of this
condition, but the general belief is that it occurs as a result of planing
and/or drying the lumber. During the milling or planing process, overheating of
the flat- grained smooth siding may bring water soluble resins to the surface
creating a hard, varnish-like glaze.
SOLUTION: If the surface is unpainted, it is advisable to roughen
smooth siding slightly prior to priming. Two coats of primer may be necessary
where severe staining exists. A waiting period of 24 hours after application of
first primer coat is recommended before applying second coat and/or finish coat.
Tannic acid stains will penetrate first coat of primer leaving brownish streaks
or rings. Refer to "Cedar Stain" for additional information. If stains
do occur, reprime stained spot and dry thoroughly before applying finish coat.
For repainting over mill glaze problem areas, remove the failed coating areas by
pressure washing or hand scrapping. Sand and prime as recommended above. Newly
installed siding should be sanded and primed as soon as possible. Ultraviolet
rays from the sun tend to degrade the integrity of the wood's surface. A 50%
loss in adhesion occurs on western red cedar weathered for 16 weeks prior to
finishing. Bare weathered siding should be sanded prior to coating to remove
loose, dead wood fibers caused by extended exposure.
CAUSE: After years of wear, asbestos cement siding can develop a
surface layer of fine dust similar to chalk causing paint to peel.
SOLUTION: CHECK FOR LOCAL OR STATE REGULATIONS REGARDING THE REMOVAL
OF ASBESTOS CONTAINING PRODUCTS BEFORE TRYING TO CURE THIS PROBLEM! Loose paint
should be removed by pressure washing. Use extreme caution when scraping or
sanding asbestos shingles. It is extremely important to wear protective gear to
prevent inhaling asbestos dust particles. It is equally important to prevent
fibers and dust from entering occupied areas and to prevent accumulations of
dust being left for tracking into these areas. After the shingles have
completely dried, check for structural integrity. If they remain soft, no
coating will offer long term service.
CAUSE: * Improper priming of surface. * Chemicals on new, unweathered
galvanized surface. * Rusting. * When alkyd or oil-based product is applied over
bare galvanized surface, a chemical reaction occurs and a soap film forms
between metal and coating.
SOLUTION: Remove all loose, flaking paint down to bare metal.
Galvanized metal must be clean, dry, and free of oil or grease. Wipe new metal
with mineral spirits to remove any oil film remaining from manufacturing
operations.
CAUSE: Stains from red cedar, cypress, and redwood are due to a
combination of moisture and insufficient sealing. Moisture carries water-soluble
color extracts (tannic acid) contained in the wood through paint films. Staining
is more likely to be visible when light or medium colors are used. It occurs
more frequently with a latex coating than a solvent or oil based coating.
SOLUTION:
UNPAINTED WOOD: If staining occurs during paint application, use two coats of
primer before topcoating. A waiting period of 24 hours after application of the
first primer is recommended before applying the second coat and/or finish coat.
Tannic acid stains will penetrate the first coat of primer leaving brownish
streaks or rings. If stains do occur, reprime the stained spot, allow to dry and
apply the finish coat. Sometimes it is best for the new wood to weather for
several weeks prior to painting.
PREVIOUSLY PAINTED SURFACES: Stained areas can be washed with a one-to-one
mixture of denatured alcohol and water. Wood bleach (oxalic acid) can also be
used. Rinse treated areas well, let dry, then apply one coat of desired primer
and topcoat.
CAUSE: A cause of discoloration seen on painted hardboard siding is
"wax bleed". Wax or petrolatum is used in the manufacture of hardboard
siding to make it moisture resistant. Wax can migrate to the surface. Once on
the surface, wax can change the appearance of a coating by its
"wetting" effect or its tendency to increase dirt retention.
Contributing factors include: 1. Dark paints exhibit discoloration more readily
due to a tendency to absorb heat. 2. Areas lacking adequate coats are more
likely to stain. This appears as irregular discoloration on brushed or rolled
surfaces where wax bleeding occurs in valleys or thin areas in the application
pattern. 3. Paints containing low levels of binder are more porous and are more
likely to allow wax migration from hardboard. 4. Exposures subjected to direct
sun and heat will accelerate wax bleed.
SOLUTION: In order to correct a situation where discoloration exists,
one must first identify the problem as wax bleed. Do the following:
- Place a few drops of household bleach on the discolored area. If there is
no whitening or bleaching on the surface, the stain is probably wax.
- Place water droplets on both normal and discolored areas. If the water
beads up and runs off, a wax film is likely.
- Areas of discoloration should be cleaned with a detergent solution if the
surface wax is light. In severe cases, surface must be thoroughly cleaned by
wiping with rags wet with a solvent such as mineral spirits. The rags should
be changed frequently and the surface allowed to dry before painting.
CAUSE: Blistering refers to the formation of a blister caused by vapor
expanding between the coated surface and the film. Due to humidity, construction
defects, or lack of effective vapor barriers, moisture condenses on or saturates
wood siding. Lower humidity and high temperature generate pressures within wood
and on adhesive bond of the coating as trapped moisture evaporates. Solvent
based coatings are most susceptible. Fresh blisters are filled with water. As
the surface dries, water evaporates, but the paint film does not recover.
Blistering is accelerated by the swelling effect of moisture on wood. Continued
swelling and contraction between day and night humidity and temperature
variations weakens adhesion. Another cause is solvent entrapment, or painting
with solvent based coatings in direct sunlight on a surface that is too warm.
This problem is prevalent in darker colors, due to absorption of heat, more than
light colors. Thicker application or recoating prior to complete cure of a
previous coat contribute to this type of failure. Under this condition, the
paint surface dries before all the solvent is released from the underlying film.
Expansion of trapped solvent produces blisters.
SOLUTION: If blistering was caused by moisture, a number of solutions
exist. Repair loose caulking and install vents or exhaust fans. If the home has
lap siding, install siding vents. Vents or fans allow moisture from in the house
to evaporate before penetrating wood siding. This will minimize future
blistering problems. Sand and scrape peeling paint to bare wood. Prime exposed
areas and repaint. If large areas of paint have blistered and need to be
removed, high pressure washing or use of a heat gun will speed the process. Heat
blisters develop in FRESHLY applied coatings only. When broken, they don't
contain liquid and are not associated with a surface defect that requires
remediation. These blisters may be removed by scraping and sanding. The surface
should be recoated under more favorable conditions.
CAUSE: Lap marks sometimes occur when wet and dry layers overlap
during application of paint or stain. This nonuniform appearance can be caused
by: working too long in one area when painting; too much heat or draft during
application; too porous a surface; or the use of an improper thinner. Too much
heat or draft causes a rapid loss of solvent or water and speeds up the set
time, resulting in a thicker film wherever overlapping occurs.
SOLUTION: Another coat of paint, spread uniformly, is necessary to
cover lap marks. If the finish coat is relatively transparent or the surface is
overly porous, a second coat or a primer coat may be necessary. To avoid lap
marks, do not paint one section of a large area from top to bottom completely.
Instead, paint in small enough sections to maintain a wet edge. (Top to bottom
painting is appropriate on shingle surfaces since they provide natural breaking
points.) Painting on hot, windy days accelerates drying time. Avoid painting
under these conditions. Add thinner sparingly if it is needed.
CAUSE: All latex paints contain detergent-like materials called
surfactants which are necessary for the stability of the paint formulation. In
cases where surfactant is leaching from the dried film, this material will
dissipate in small amounts. They tend to come out of the film slowly and are
easily removed by normal weathering. Under certain curing conditions, such as
low temperatures, condensing moisture, etc., this leaching process occurs
rapidly and results in a surfactant build-up on the surface. Leached surfactant
can appear as a thick brown syrup-like deposit or rundown. On occasion it may
assume a white crystalline form. Surfactant leaching is not limited to exterior
coatings - it may appear in bathrooms or other areas where moisture condenses on
walls. In these instances, a clear amber glossy rundown will be visible.
SOLUTION: Most often, weathering removes the visible film of
surfactant from the surface. The sheen and the color are restored. However, most
accumulations of surfactant are observed in areas protected from natural
weathering. In these instances, it can be removed with a fine mist from a garden
hose or by light rubbing with a wet cloth. Often the best solution is to do
nothing and let nature take its course. The surfactant will do no harm and time
will correct the problem.
CAUSE: Mildew is NOT caused by paint. It is a fungus that grows on
many surfaces including paint. Mildew discoloration is prevalent in warm, moist
exposures, but can occur in most climates. Mold and mildew spores are
microscopic particles transported by the wind. Spores can remain dormant on a
surface until conditions are favorable for growth. Mildew-contaminated surfaces
in neighborhoods can supply spores for contamination of other homes in the area.
Mildew usually looks similar to dirt accumulation. However, on some surfaces it
may appear as dark spots, or be concentrated in clusters. Under magnification a
web like pattern is visible. Mildew is usually black or gray in color, but can
also be dull red or yellow. To determine if mildew is present, drop a small
amount of bleach on discolored surface. If mildew is present, bleach will
destroy it and lighten the spots. If discoloration is simply dirt, bleach will
have no effect.
SOLUTION: Mildew MUST be removed before painting. Painting over mildew
guarantees its return. Mildew will grow through paint films rapidly, and
correction will then require removal of the coating! All mildew-stained surfaces
should be washed with a solution of 1 or 2 cups of household bleach per gallon
of warm water shortly before painting. Commercial mixtures for washing the
surface are also available. Repeated applications may be necessary to completely
remove discoloration. Repaint as soon as the surface is dry with a
mildew-resistant paint. Multiple coats of quality products resist mildew growth
longer than single coats. While there is no absolute cure for mildew, quality
products will contain mildew resisting properties that can minimize its growth.
Periodic examination and treatment of painted surfaces, in sound condition, with
mildewcide wash will restore a freshly applied appearance to the film. Due to
their composition, latex products are less likely to grow mildew than oil-based
products.
CAUSE: Surfaces with varying porosity may, after painting appear
nonuniform in sheen. This problem is sometimes referred to as
"flashing". Uneven application can result in varying film thicknesses
that may cause uneven gloss. Fog-strike or moisture on the paint film during
drying can locally also affect gloss. Uneven gloss may also be caused by an
unsealed porous surface. In this case, a primer-sealer is necessary to prepare
the surface. Areas surrounding nail heads and wall studs tend to retain gloss
because metal conducts heat and speeds up drying time. In addition, painting
over a paint film that is not thoroughly dry or that is too soft can cause
uneven gloss.
SOLUTION: If the surface is extremely porous, a prime coat is
necessary. Otherwise, another finish coat, spread uniformly, should correct the
problem. Some unevenness can be expected on rough surfaces, but additional coats
tend to give better uniformity. If moisture contact has caused flatting or if
temperature variation has occurred, apply another coat of paint when moisture is
not present and/or when changes in temperature are less likely. If the undercoat
was not dry, allow the flatted paint to dry hard and apply another finish coat.
CAUSE: Possible causes of poor hiding include over-extended spreading,
a radical color change, uneven application, excessive thinning, or inadequate
mixing of paint. Certain colors such as yellow, red, and orange tones inherently
offer weaker hiding.
SOLUTION: Most paints are designed to be applied as received.
Thinning, if necessary, should be at a minimum. An additional coat of the same
material and color, applied with a good quality tool at the recommended
spreading rate, will usually provide good hiding. The exceptions are extreme
color changes, extremely porous surfaces, and certain deep, clear colors. These
require a prime coat tinted to the approximate color of the finish coat.
Benjamin Moore color chips and color cards use a triangle symbol to identify
deep, clear colorst hat require a tinted deep base primer to obtain good hiding.
Don't forget to follow your dealer's recommendation for type and size of
applicators and purchase good quality tools.
CAUSE: Paint peeling from plaster could be the result chalking of the
surface. This chalking can be caused by alkali, moisture, or insufficient wet
troweling of the white coat. Another reason for peeling is the presence of a
glue size (from removed wallpaper), which absorbs water, underneath the paint.
SOLUTION: New plaster should be primed AFTER 30 days curing. This will
allow for reduction in moisture and alkali content. After curing and before
priming, the plaster should be wiped with a damp cloth to remove powder and
dust. Peeling areas should be scraped down to a sound surface. Smooth the
scraped edges with sand paper. If peeling is severe, then all the paint should
be removed. Otherwise the remaining coating will peel, thus causing the new coat
to fail. Cracks and holes in plaster should be repaired before repainting. If
patching is necessary, a water-mix patch should be used when the intended
topcoat is latex. Oil based patching compounds sometimes bleed into latex. When
using a water-mix patch, thoroughly dampen the surrounding edges of the damaged
areas to prevent the plaster from absorbing moisture and becoming crumbly. If
the surface is badly disintegrated, mount canvas or "hardboard" over
the plaster. Apply primer before and after filling cracks and holes. Sand when
dry.
CAUSE: Hatbanding is caused by excessive cutting-in of the walls,
corners, trim and ceiling areas with a brush or by rolling walls with an
excessively long nap roller cover, thereby producing a heavy textured
application when compared to brush applied cut-in areas. It may also be caused
when applying a wet finish coat onto areas that are already dry.
SOLUTION: Feather-edge brushing of the finish coat when cutting- in of
the areas to be painted produces a coat of paint that is approximately the same
thickness as the coat applied later with a roller. The brush should leave a
thin, feathered edge of paint that will merge into a smooth layer of new paint.
By doing this, problems of the finish coat (i.e., hatbanding) are reduced. When
rolling on smooth surfaces (i.e., drywall), use roller covers ranging from
1/4" to 1/2" nap, depending on the sheen of the finish coat to be
applied. When rolling into surfaces that have been previously cut-in with a
brush, turn roller sideways (rotate 90 degrees on the wall) and apply a thin
coat of finish, rolling into the previously cut-in areas. Make sure to roll the
finished coat back into the drying paint. Properly primed drywall reduces the
occurrence of hatbanding.
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