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Warm and
Cool colors
Cool
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Blues and greens can introduce a cool mood into a room. The level of
coolness will depend on the intensity of the colors. Cool colors can
also be used to change the appearance of a room, pushing back walls and
furnishings and making the room appear more spacious. They look best in
a room with a sunny exposure, where the colors counteract some of the
strength of the direct sun. They should be avoided in shaded rooms. |
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Warm |
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Warm colors, such as red and apricot, have an opposite effect, closing
in the walls of a room. If the room is large, its dimensions seem
decreased. Warm colors look their best in a not so bright room with
southern light, so that the bright effect of the sunny colors is not
too overbearing. |
Properties of Color
HUE:
Hue is pure color - any primary, secondary or tertiary color that is unmixed with black or white. It can be another name for color.
REFLECTIVE VALUE:
This is the degree of lightness or darkness of a tint, shade or tone. White has the highest reflective value and black the lowest.
TINT:
A tint is the pure color (hue) with white added. This new color has higher reflective value (is lighter) than the original hue.
SHADE:
A shade is the pure color (hue) with black added. This new color has a lower reflective value (is darker) than the original hue.
TONE:
This is pure color (hue) with gray added. This new color is a softer variation of the original.
INTENSITY:
This is brightness or dullness of colors. Less intense colors (blue) have a calmer effect and are easier to live with than the more intense colors (red). Intense colors are often used as highlights and contrast.
Color personality
Color is a way people express their creativity. Choice of particular
colors
says a lot about the way we feel and want to feel. Colors have traditional
values and associations, and people's attitudes to color are very much
influenced by these values and associations. So what do certain colors signify?
| RED |
is a traditional symbol of
love, romance, courage, danger, passion and rage. It gives an impression of
richness and luxury and is an adventurous and ambitious color. |
| ORANGE |
is a social and
exuberant color and represents ripeness, warmth and happiness. If used
extensively, orange can be a very forceful color. |
| YELLOW |
is the brightest of all
colors and has the greatest illuminating power. It is warm and cheerful and
stimulates activity and communication, circulation and appetite. It can also,
however, indicate a tendency to be frivolous and superficial. |
| GREEN |
indicates a well-balanced
personality and is conservative, traditional and conventional. It inspires
feelings of restfulness, freshness and informality. |
| VIOLET |
is the color of royalty
and is associated with noble traits such as love, truth and justice. It is
dramatic, sophisticated and sensual and indicates an imaginative and
lateral-thinking personality. It can also indicate a lack of realism and feeling
of self-importance. It also has the ability to lower blood pressure and
respiratory rates. |
| BLUE |
is a color of peace,
tranquility and wisdom and can generate a sense of well-being. Blue gives the
impression of space and coolness and represents serenity, loyalty and truth. |
| BLACK |
represents an absence of light and
color,
but can be a deep and restful contrast. It is sophisticated, elegant, dramatic
and formal and gives a feeling of solid strength. It can be powerful, aloof and
intimidating. |
| WHITE |
symbolizes light, triumph, innocence and
joy and it gives the effect of enlarging a space. White can indicate an
individualistic and idealistic personality and it creates an atmosphere of
coolness. |
Proportion, Contrast and Effects
with Color
Use color to create an illusion. Color can highlight the good features of a
room and camouflage defects. You can actually change the shape of a room
visually by the use of color. Identify the character of the room you are about
to decorate, follow the guide-lines for using color, but remember that rules
are flexible, and also that there is a much more comprehensive range of colors
available today than ever before.
| Use a strong colour on the lower part of the walls, from
picture rail down, and a lighter color above and over the ceiling. This
will make the room appear more enclosed. |
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| A dark color on ceiling and walls down to dado height,
with a lighter color on the lower part of the walls to match the floor,
changes a room's proportions. |
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| Floor and ceiling in a similar color, with the walls
painted a lighter color will seem to widen the room. |
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| Lower a ceiling visually by painting the ceiling and the
walls above the picture rail in a deep tone. Paint the walls, from the
picture rail down, a light color. |
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| To give the feeling of airiness and space, paint the
walls to match the floor and use pale, cool colors. |
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| A warm, deep colour on short end walls with a lighter
color on the adjoining longer walls will make a long, narrow room
appear more evenly proportioned. |
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Paint Effects
Different paint techniques can be used to
create a wonderful variety of textured effects and they offer an exciting
alternative to plain, painted walls or wallpaper.
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Colorwashing
Color-washing produces a soft. dappled effect, which is achieved by a
two-step process. A colored base coat is washed (brushed) over with a
premixed coat of diluted color. The end result can provide striking
contrasts depending on the combination of colors you choose. |
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Sponging
Sponging creates a gentle, mottled or cloud-like effect with multi color finishes, either stimulating or restful, depending on your
colors. The number of effects you can achieve depends on the type of
sponge, the way you use it and your choice of colors, making this
technique ideal for coordinating furnishings and fabrics. |
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Rag rolling
Rag Rolling can replicate the appearance of suede or crushed velvet,
creating the subtle or rich finishes normally associated with the most
expensive wallcoverings. Distinctive effects can be obtained by rag
rolling with successive colors. These may be either ragged on or ragged
off. The effect is obtained by using a bunched rag, which is rolled or
dabbed over the surface. |
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